By Erin Bartels
This is a split-time book that follows Esther Markstrom, who lives in the present day, and Viviana Torrens, who called the later half of the 19th-century home. Ester's life has been dictated by her mother's artistic tendencies and their familial ties to Francisco Vella, a minor painter during the Impressionist Era.
Vella is a bit of a mystery, with not much known about his work other than the collection of works shown at the museum run by Esther's family. But we, as readers get to see Vella and his "relationship" with Viviana. Viviana can no longer return to her home. She is an orphan who, through a series of events, finds herself seeking refuge and escape. We get to experience Viviana's journey as she discovers herself and the world through the eyes of an artist.
Both these timelines are brought together as Esther begins a journey for answers, thanks to questions raised by her former professor. Who painted The Lady with the Dark Hair? Was it her ancestor as her family has long believed? Or was it another? But this journey will do more than answer questions about the past. It will help Esther discover truths about herself that she's never had the luxury to explore.
I love duel timelines and the way the story unfolds, revealing bits and pieces of the mystery. And there are so many facets that draw one attention to the world of art. I found the process of making paint in the late 1800s fascinating. I have to be honest, I had never before given any thought as to where paint came from. In my limited experience, it comes from a tube or a small pot. Overall, I would say, this was a good read. There's a mystery and a touch of romance, but nothing to keep you up all night. If you want a book you can read leisurely without the tension that suspense causes, you will love this book.
I was provided a complementary copy of this book with no expectations but that I provide my honest opinion. All thoughts expressed are my own.
About the Book:
Esther Markstrom and her artist mother have always been proud of their ancestor, painter Francisco Vella. They even run a small museum and gallery dedicated to raising awareness of his scandalously underappreciated work. But when Esther reconnects with her former art history professor, she finds her once-solid family history on shaky ground as questions arise about Vella's greatest work--a portrait entitled The Lady with the Dark Hair.
In 1879, Catalan orphan-turned-fugitive Viviana Torrens has found sanctuary serving in the home of an aging artist in Southern France. It is in his studio that she meets Francisco Vella, a Gibraltarian merchant who sells artists' pigments. When her past catches up to her, she is compelled to pose as Vella's sister and join him on his travels or be deported back to Spain to stand trial. Along the way she will discover that the many parts she has been playing in order to hide her identity have far-reaching implications she never could have foreseen.
This dual-timeline story from award-winning author Erin Bartels takes readers from the sleepy Midwest to the sultry Mediterranean on a relentless search for truth, identity, and the freedom to follow one's dreams.
In 1879, Catalan orphan-turned-fugitive Viviana Torrens has found sanctuary serving in the home of an aging artist in Southern France. It is in his studio that she meets Francisco Vella, a Gibraltarian merchant who sells artists' pigments. When her past catches up to her, she is compelled to pose as Vella's sister and join him on his travels or be deported back to Spain to stand trial. Along the way she will discover that the many parts she has been playing in order to hide her identity have far-reaching implications she never could have foreseen.
This dual-timeline story from award-winning author Erin Bartels takes readers from the sleepy Midwest to the sultry Mediterranean on a relentless search for truth, identity, and the freedom to follow one's dreams.
